![]() ![]() VST editors now can have a focused parameter editor in their top control bar. New Piano Keyboard, Note Event Pad and Audio Level Meter modules. It now includes a customizable curve display, which also makes it visually more clear how the distortion works. ![]() The TanH Distortion module has been expanded to a much more flexible "Amp. Another advantage is that you can now directly use an extra VST plug-in layer for this drum pad without having to go via a MUX Modular. This results in a more simple and comfortable layout where the two sampler displays have more space now. Improved MuDrum layout: Element 3 has been minimized so it only contains a display where you can choose the extra plug-in module for this drum pad. The Audio Limiter now also has an Input Gain parameter and input and output level meters. This is more suited for general mixing use. In other words there always is some degree of dynamism preserved. In Soft Mode the audio level is limited more in a soft way so that even for high audio levels there still is a difference in output level. ![]() Previous versions always worked in Hard Mode which in the end really clips the audio. ![]() Added an extra mode to the Audio Limiter module: Now it can work in Hard Mode and Soft Mode. The oscilloscope also includes a sync mode which allows to display dynamic synth waveforms. This avoids confusing situations that could occur with the previous behaviour of fully hidden sub-tracks. Collapsed sub-tracks are always shown, be it very minimal. The MUX front panels are the bridge between MUX' deep modular world and the effective use of synth and effect presets while creating music.ĭifferent track heights are also preserved while zooming in and out or calling vertical overview. Synthesizer Build part-6: THE SEQUENTIAL PRO ONE L.-Reworked MUX front panel construction system.įront panel components can now be layered and moved together and many more supported component types.Synthesizer Build part-7: THE MOOG LADDER FILTER.Synthesizer Build part-8: 8 STEP SEQUENCER.Synthesizer Build part-9: THE LFO or LOW FREQUENCY.Synthesizer Build part-10: THE VCA or VOLTAGE CONT.Synthesizer Build part-11: ECHO and SOUND FX UNIT.Synthesizer Build part-12: THE KORG MS20 FILTER.Synthesizer Build part-13: THE LFO (MusicFromOuter.Synthesizer Build part-14: AD/AR Envelope Generator.Remember these 0 to +10V signals are inverted, so the waveshape potmeter works the other way around for these waves. You can take a look at the 8 step sequencer V2.0 schematic which also has an offset feature of my own design and it's the same design as used here. I'm sorry there's no schematic for these additions, I did it from memory, but this feature is included in the stripboard layout. There was room on the circuitboard to put a little TL082 on and make the two inverting buffers with DC offset potmeters. I even managed to add a little extra of my own design: normally this is a bi-polar LFO meaning all the outputs go from -5 to +5 volt but I added a uni-polar feature with two extra outputs for the saw-triangle-ramp wave and the sinewave that go from 0 to +10 volt. It uses a TL084 quad opamp chip and a LM13700 OTA chip. So it can be a bit fiddly to calibrate.Ī very feature rich design and a design with very few components so not much can go wrong. It also influences the shape of the sinewave. The pulse width of the squarewave is set with the same potmeter that controls the shape of the other waves. Squarewave pulsewidth (or dutycycle) goes from 1% to 99%. ![]()
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